Yesterday afternoon, at 2:26, I was working from home. I was
on a deadline and waiting for materials from a coworker. I felt my phone
vibrate its distinct incoming text message vibration. In my mind the chances
were—30% work related, 70% spam text. I hate spam texts and I get them
constantly. I hate getting them so much, I often don’t even bother looking at
my phone right away when I feel it vibrate. But in this case, I was waiting on
info regarding my work deadline, so I took a look right away. The text read:
“Dude. Neil Peart died.”
Never before had I so wished I had received a spam text.
I sat looking at the text from my good friend, Bill. I had no idea how to
respond. He texted again saying he had read it on rollingstone.com. Then he
texted again:
“I would never have gotten into Rush without you turning me on to them. What a
tragic loss. I’m bummed.”
I stared at my phone screen, disbelieving. I was in denial. My rational brain
knew it must be true, but I held out hope that it was some rumor gone bad or a
cruel hoax. I quickly logged on to Twitter where I am connected to the official
Rush band page, dozens of fan pages, and over a hundred other diehard Rush
fans. As soon as I logged on I saw the tweet from Rolling Stone:
“Rush’s Neil Peart, the Hall of Fame drummer who set a new standard for rock
virtuosity, has died at 67.”
It was true.
I clicked on the link to the article and read that he had been battling brain
cancer for three-and-a-half years. Nobody outside of his inner circle knew. He
was a very private man, so this was not all that surprising. The death, of
course, was a surprise, but the fact that he kept his illness hidden was not. I
could not bring myself to read past the first paragraph. I finally texted Bill
back:
“Thank you for letting me know. My day is ruined.”
At this point my wife was walking by and, unable to speak, I just pointed to my
computer screen with the headline on it. She looked and gasped, “Oh no!” She
scanned the first paragraph of the article then asked me if my friend Roger had
posted anything yet. Roger is a muckety muck at SiriusXM, a drummer, and a
longtime Rush fan. I told her that I was on a deadline and had not been on
Facebook, so I hadn’t seen anything from him. Moments later my phone vibrated…it
was Roger. He wrote:
“Andrew…not sure u know…Very sad news that Neil Peart has passed away. I am
devastated.”
I told him I knew and I too, was devastated. I refocused on my work. Five
minutes later my phone vibrated again. Really, I’m not usually this popular.
This time it was my friend Chris texting me the news with a sad face emoji.
Chris has a significant place in my Rush life, as I went with him to my first
Rush concert back in 1986. We exchanged texts of commiseration. I yet again
refocused on my work. Five minutes later my phone rang and I saw that it was my
friend Ken.
Ken has the distinction of being the person I have seen the most concerts with
and talked the most Rush with over my lifetime. When I saw his name on my phone
I debated not answering for two reasons: 1) I had this damn deadline! 2) I wasn’t
sure I could compose myself. I answered the phone with, “I know.”
For the next few minutes he did most of the talking, while I struggled to say a
word or two here or there without losing it. He soon realized I was in pain and
said, “Look at it this way, Drew—we got to see them play in Canada! How cool is
that?”
He was right, it was extremely cool. In June of 1997 I flew from Arizona to New
York. On the 25th of that month I went with Ken to see Rush in New
York at Jones Beach. Then, a few days later we made the eight hour drive to Toronto
to fulfill a lifelong dream of seeing Rush live in their hometown. It was an
incredible experience. On the phone, back in 2020, I mumbled my agreement about
the coolness of that experience.
Then he said, “And we actually got our wives into Rush! How cool is that?”
That was pretty darn cool, too. It is well-documented that there are not a lot
of female Rush fans. Certainly there are some that are very hardcore, but the
reality is that the vast majority of Rush fans have a Y chromosome. That I have
been able to turn my wife on to Rush has been awesome. Sharing your favorite
music with the person you love most is a blessing. So again, I mumbled my
agreement.
Choking back my emotions, I told Ken I had to get back to my deadline, which
was true. I got off the phone and concentrated on the work in front of me.
Fortunately, I had gotten the materials I needed from my coworker and he had
done an excellent job, making things easy for me. In less than half an hour I was
finished with my assignment and the deadline was met. I decided to look at
Facebook and saw dozens of my friends posting about their grief at the loss of
The Professor.
As I scrolled through the posts, some from friends I knew were Rush fans,
others from friends whose Rush love I was previously unaware of, I came across
one post that stopped me in my tracks. It was a tribute to Neil from my friend
Vic, who played the most pivotal role in my connection to Rush…by making me
aware that they existed!
Vic and I were not close friends—really just high school acquaintances. But we
were in a play together in 1984 and one day, while we were in the music room
waiting for our rehearsal to start, he sat down at the piano and started
playing a song. The opening chords piqued my interest immediately and I walked
over and asked what it was.
“It’s ‘Subdivisions’ by Rush,” he said.
“Who are they?” I asked, intrigued.
“They’re an incredible band. The album is Signals.
You have to get it,” he said.
And I did get it that weekend. I came home, plugged in my headphones, put the
needle on the vinyl and listened. There were the distinctive opening chords on
the song Vic had played, soon followed by these lyrics:
Sprawling on the fringes of the city
In geometric order
An insulated border
In between the
bright lights
And the far unlit
unknown
Growing up it all
seems so one-sided
Opinions all
provided
The future
pre-decided
Detached and
subdivided
In the mass
production zone
Nowhere is the
dreamer or the misfit so alone
Subdivisions-
In the high school
halls
In the shopping
malls
Conform or be cast
out
Subdivisions-
In the basement bars
In the backs of cars
Be cool or be cast
out…
I was a geeky
15-year-old kid. I had friends, but still felt like an awkward outcast, as many
kids at that age do. I was a very
literary kid and loved well-written song lyrics, but never had I heard lyrics
that connected with me this deeply matched with music of such virtuosity. I
listened to the entire album enthralled. Then I listened again. I couldn’t stop
listening, in fact.
Soon I bought more Rush albums and they quickly became my favorite band. I
bought posters, magazines, buttons—anything I could get my hands on that was
Rush-related. I learned all about the three band members: singer/bassist, Geddy
Lee, guitarist, Alex Lifeson, and drummer/lyricist Neil Peart.
I had a huge appreciation for all three men, but the one who I found most
compelling was Neil Peart. It was clear that his drumming skills were
unbelievable. The fullness and complexity of what he was doing with his drum
kit was matched by no one. But really all three players were amazing at their
instruments. The thing that fascinated me most about Neil, though, was the
lyrics. Nobody wrote lyrics that were so simultaneously intellectual and
heartfelt. Who else uses the word “geometric” in their lyrics and manages to
pull it off??? The man was a poet.
Since hearing of his death, Neil’s lyrics keep on going through my head. Upon
first learning of the news, I thought:
Suddenly you were gone, from all the
lives you left your mark upon – “Afterimage”
As I continued to process how I felt about it, I thought:
When I heard that he was gone, I felt a
shadow cross my heart. – “Nobody’s Hero”
When I considered the legacy he would leave, I thought:
The measure of a life is a measure of
love and respect. – “The Garden”
And when I thought about Neil’s relationship with his fans, I thought:
I can’t pretend a stranger is a long
awaited friend. – “Limelight”
As mentioned previously, Neil Peart was a very private man. Unlike Geddy and
Alex, who are happy to mingle with fans, Neil has always kept his admirers at
arm’s length. Last night, in honor of Neil’s passing, I pulled out my DVD of
the Rush documentary, Beyond the Lighted
Stage for my wife and I to watch. I knew there was a lot of interview
footage of Neil, and I wanted to hear from the man firsthand. At one point he
addresses his distance from his fans by saying, “I’m not a sourpuss, I’m just
shy.” And I can relate. If ever achieved fame, I think I might be similarly
embarrassed by the attention that comes with it and avoid interactions with
fans for that reason.
Yet for all his shyness and his avoidance of interaction with the public, in
some ways I think Neil Peart was the most accessible of the band members. He
put himself out there for the world to see through his lyrics of hundreds of
songs and the eight books he wrote about his various travels. His writing was
earnest and forthright and painted a picture of a deep thinker with a strong
moral compass who was hopeful that man’s better nature would win out. In “Closer
to the Heart,” one of Rush’s most iconic songs, he wrote:
And the men who hold
high places
Must be the ones
who start
To mold a new
reality
Closer to the heart
An excellent sentiment, indeed—especially for the times in which we currently
live.
So I may not have known Neil personally, but I still feel like I knew him quite
well. His words will live on, his music will live on, and for the moment, the
pain of his absence will live on. As another line from “Afterimage” states:
Tried to believe but you know it's no good
This is something
that just can't be understood
Farewell, Mr. Peart. You have touched myself and millions of other fans in ways
that just can’t be understood.